Dance On Screen
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Dance On Screen
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Author : S. Dodds
language : en
Publisher: Springer
Release Date : 2001-06-26
Dance On Screen written by S. Dodds and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-06-26 with Performing Arts categories.
Dance on Screen is a comprehensive introduction to the rich diversity of screen dance genres. It provides a contextual overview of dance in the screen media and analyzes a selection of case studies from the popular dance imagery of music video and Hollywood, through to experimental art dance. The focus then turns to video dance, dance originally choreographed for the camera. Video dance can be seen as a hybrid in which the theoretical and aesthetic boundaries of dance and television are traversed and disrupted. This new paperback edition includes a new Preface by the author covering key developments since the hardback edition was published in 2001.
The Oxford Handbook Of Dance And The Popular Screen
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Author : Melissa Blanco Borelli
language : en
Publisher: Oxford University Press
Release Date : 2014-07-01
The Oxford Handbook Of Dance And The Popular Screen written by Melissa Blanco Borelli and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-01 with Performing Arts categories.
The Oxford Handbook of Dance and the Popular Screen sets the agenda for the study of dance in popular moving images - films, television shows, commercials, music videos, and YouTube - and offers new ways to understand the multi-layered meanings of the dancing body by engaging with methodologies from critical dance studies, performance studies, and film/media analysis. Through thorough engagement with these approaches, the chapters demonstrate how dance on the popular screen might be read and considered through bodies and choreographies in moving media. Questions the contributors consider include: How do dance and choreography function within the filmic apparatus? What types of bodies are associated with specific dances and how does this affect how dance(s) is/are perceived in the everyday? How do the dancing bodies on screen negotiate power, access, and agency? How are multiple choreographies of identity (e.g., race, class, gender, sexuality, and nation) set in motion through the narrative, dancing bodies, and/or dance style? What types of corporeal labors (dance training, choreographic skill, rehearsal, the constructed notion of "natural talent") are represented or ignored? What role does a specific film have in the genealogy of Hollywood dance film? How does the Hollywood dance film inform how dance operates in making cultural meanings? Whether looking at Bill "Bojangles" Robinson's tap steps in Stormy Weather, or Baby's leap into Johnny Castle's arms in Dirty Dancing, or even Neo's backwards bend in The Matrix, the book's arguments offer powerful new scholarship on dance in the popular screen.
Making Video Dance
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Author : Katrina McPherson
language : en
Publisher: Routledge
Release Date : 2018-09-05
Making Video Dance written by Katrina McPherson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-05 with Performing Arts categories.
Making Video Dance: A Step-by-Step Guide to Creating Dance for the Screen is the first workbook to follow the entire process of video dance production: from having an idea, through to choreographing for the screen, filming and editing, and distribution. In doing so, it explores and analyses the creative, practical, technical, and aesthetic issues that arise when making screen dance. This rigorously revised edition brings the book fully up to date from a technical and aesthetic point of view, and includes: An extended exploration of improvisation in the video dance-making process New writing about filming in the landscape Additional writing on developing a practice and working with scores and manifestos Updated information about camera use, including filming with mobile phones A step-by-step guide to digital non-linear editing of screen dance Ideas for distribution in the 21st century Insights into Katrina’s own screen dance practice, with reference to specific works that she has directed and which are available to view online New and revised practical exercises New illustrations specially drawn for this edition
Making Video Dance
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Author : Katrina McPherson
language : en
Publisher: Routledge
Release Date : 2013-02-01
Making Video Dance written by Katrina McPherson and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-01 with Performing Arts categories.
Since the advent of digital video technology, ’dance on camera’ has become an increasingly popular, and important genre of dance. This is the first ever ’how-to’ manual for choreographers, dancers and students who want to make dance films. Specifically written from a personal experience of a complete lack of printed material to help beginners get started, Katrina McPherson has produced an exemplary text which combines practical help with aesthetic discussion in an anecdotal and accessible style. Making Video Dance includes: exercises to be used inside, or outside the classroom a production diary interviews with leading practitioners on both sides of the camera. Also including a glossary of terms, anyone involved in making dance videos needs this helpful and remarkable book.
Dance On Screen
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Author :
language : en
Publisher:
Release Date : 2012
Dance On Screen written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Dance categories.
Lila Moore claims the autonomy of dance on screen as a hybrid art form, a form which like other creative forms, such as painting, sculpture or even dance, has its own particular aesthetic qualities and limits. The thesis proposes that dance as a live form ceases to exist in the process of its recreation as a screen form. The argument about dance on screen is based not within the context of contemporary live dance, but within the contexts of film/video, screen choreography and performance, including performative texts and art as performance engaging both artists and viewers. To locate dance on screen in a contemporary framework, Lila Moore refers to central developments issuing from the television series Dance for the Camera produced by BBC2 & the Arts Council and the IMZ/Dance Screen international festivals. She approaches choreography in screen terms thereby referring to the expression of movement in the broader sense, including performance, body language, the motion of objects and natural events, and rhythms and movements created via film/video technology. The moving body on the screen is also utilised for the expression of mythical journeys as in Gaia.
Dancefilm
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Author : Erin Brannigan
language : en
Publisher: Oxford University Press
Release Date : 2011-02-09
Dancefilm written by Erin Brannigan and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-02-09 with Performing Arts categories.
Dancefilm traces some of the most significant collaborations between dancers, choreographers, and filmmakers, and presents new models of cinematic movement that are both historically informed and thoroughly interdisciplinary.
Singin In The Rain
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Author : Earl J. Hess
language : en
Publisher:
Release Date : 2009
Singin In The Rain written by Earl J. Hess and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Music categories.
This title combines prose with scholarship to provide the complete inside story of how 'Singin' in the Rain' was made, marketed, and received.
Dance On Camera
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Author : Louise Spain
language : en
Publisher: Scarecrow Press
Release Date : 1998-01-28
Dance On Camera written by Louise Spain and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998-01-28 with Performing Arts categories.
Dance on Camera, the most comprehensive resource available on dance films and videos in current distribution in the United States, is an essential tool for any dance and/or film reference collection. Following a foreword by Jacques d'Amboise, former principal dancer and choreographer for the New York City Ballet, are five essays by recognized authorities in the field, and ten exhaustive indexes. The main section, arranged alphabetically by film title, lists and annotates approximately 1400 films and videos, covering the full range of dance from around the world. Each entry includes the date of production, running time, format and distributor; credits are given for producer, director, choreographer, principal dancers, dance company, and composer. A brief description indicates the content, names of the excerpts or full-length dances included, and often titles of other related films. Coverage is through 1996. Films are indexed by series title, by award(s) won, by subject, and by dances excerpted in the film. A directory of distributors provides a quick and easy look-up for order information. A list of dance/film resources, both domestic and international, rounds out the volume. Illustrated with stills from a variety of dance films and videos.
Screendance From Film To Festival
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Author : Cara Hagan
language : en
Publisher: McFarland
Release Date : 2022-02-21
Screendance From Film To Festival written by Cara Hagan and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-02-21 with Performing Arts categories.
Dance and film have shared a dynamic relationship since the advent of cinema--a natural interplay that developed into the genre known as screendance. Charting the history of screendance festivals, this book examines important shifts in practice and theory, distinct festival eras and communities, and the process of selecting and programming works.
Screendance
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Author : Douglas Rosenberg
language : en
Publisher: Oxford University Press
Release Date : 2012-05-17
Screendance written by Douglas Rosenberg and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-05-17 with Performing Arts categories.
The relationship between the practice of dance and the technologies of representation has excited artists since the advent of film. Dancers, choreographers, and directors are increasingly drawn to screendance, the practice of capturing dance as a moving image mediated by a camera. While the interest in screendance has grown in importance and influence amongst artists, it has until now flown under the academic radar. Emmy-nominated director and auteur Douglas Rosenberg's groundbreaking book considers screendance as both a visual art form as well as an extension of modern and post-modern dance without drawing artificial boundaries between the two. Both a history and a critical framework, Screendance: Inscribing the Ephemeral Image is a new and important look at the subject. As he reconstructs the history and influences of screendance, Rosenberg presents a theoretical guide to navigating the boundaries of an inherently collaborative art form. Drawing on psycho-analytic, literary, materialist, queer, and feminist modes of analysis, Rosenberg explores the relationships between camera and subject, director and dancer, and the ephemeral nature of dance and the fixed nature of film. This interdisciplinary approach allows for a broader discussion of issues of hybridity and mediatized representation as they apply to dance on film. Rosenberg also discusses the audiences and venues of screendance and the tensions between commercial and fine-art cultures that the form has confronted in recent years. The surge of screendance festivals and courses at universities around the world has exposed the friction that exists between art, which is generally curated, and dance, which is generally programmed. Rosenberg explores the cultural implications of both methods of reaching audiences, and ultimately calls for a radical new way of thinking of both dance and film that engages with critical issues rather than simple advocacy.