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Contemporary Music


Contemporary Music
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Introduction To Contemporary Music


Introduction To Contemporary Music
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Author : Joseph Machlis
language : en
Publisher: New York : Norton
Release Date : 1979

Introduction To Contemporary Music written by Joseph Machlis and has been published by New York : Norton this book supported file pdf, txt, epub, kindle and other format this book has been release on 1979 with Music categories.


Biographical and historical data and clear technical explanations are featured in a guide to the appreciation of twentieth-century music that includes a full discussion of trends since 1961, a dictionary of composers, and a concentrated review of musical concepts.



Contemporary Composers On Contemporary Music


Contemporary Composers On Contemporary Music
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Author : Elliott Schwartz
language : en
Publisher: New York : Holt, Rinehart and Winston
Release Date : 1967

Contemporary Composers On Contemporary Music written by Elliott Schwartz and has been published by New York : Holt, Rinehart and Winston this book supported file pdf, txt, epub, kindle and other format this book has been release on 1967 with Music categories.


This anthology of essays, interviews, and autobiographical pieces provides an invaluable overview of the evolution of contemporary music--from chromaticism, serialism, and indeterminacy to jazz, vernacular, electronic, and non-Western influences. Featuring classic essays by Stravinsky, Stockhausen, and Reich, as well as writings by lesser-known but equally innovative composers such as Jack Beeson, and Richard Maxfield, this collection covers a broad range of styles and approaches. Here you will find Busoni's influential "Sketch of a New Esthetic of Music"; Partch's exploration of a new notation system; and Babbitt's defense of advanced composition in his controversial "Who Cares If You Listen?".



Contemporary Music


Contemporary Music
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Author : Max Paddison
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2010

Contemporary Music written by Max Paddison and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Music categories.


This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. The book offers a wide range of international perspectives from prominent musicologists, philosophers and composers.Part I is mainly theoretical in emphasis. Issues addressed include the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake of Spectralism, debates on the 'new complexity', the heterogeneity, pluralism and stylistic omnivorousness that characterizes music in our time, and the characterization of twentieth-century and contemporary music as a 'search for lost harmony'. The orientation of Part II is mainly philosophical, examining concepts of totality and inclusivity in new music. Part III offers creative perspectives, with new essays and interviews from important contemporary composers. A concluding essay by Alastair Williams provides a postlude to the book, while the whole collection is prefaced by an extended introductory chapter by Max Paddison which provides a context of ideas, and traces many of the issues discussed back to Adorno's seminal notion of une musique informelle.



Contemporary Music And Music Cultures


Contemporary Music And Music Cultures
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Author : Charles Hamm
language : en
Publisher: Englewood Cliffs, N.J. : Prentice-Hall ; Toronto : Prentice-Hall of Canada
Release Date : 1975

Contemporary Music And Music Cultures written by Charles Hamm and has been published by Englewood Cliffs, N.J. : Prentice-Hall ; Toronto : Prentice-Hall of Canada this book supported file pdf, txt, epub, kindle and other format this book has been release on 1975 with Music categories.


The purpose of this book of essays is to provide a novel sort of introduction to music. Struck by the fact that most introductions to the art are oriented toward an historical approach or, on the other hand, cover the field of music systematically by giving attention to selected parameters such as melody, rhythm, and harmony, or to genres of music such as symphony, opera, and song, the authors were impressed by the attractiveness of an approach that focuses on music in the contemporary world, and particularly on the way in which it interacts with those social, political, and cultural processes that distinguish the twentieth century. The authors have attempted to produce a group of original essays, each of which is devoted to an approach to the study of music and musical culture, and which has one repertory or culture as its main topic of discussion. The authors view the contemporary world as consisting of the industrialized nations of the West and the developing countries of the Third World; they include among contemporary musics all sorts of musical styles that have come into existence in the twentieth century, whether their background is part and parcel of the twentieth century or whether it is to be ultimately sought in the distant past. The authors feel also that the reader will be interested in musics of the educated and elite as well as those of the broad masses of urban and rural population.



A Survey Of Contemporary Music


A Survey Of Contemporary Music
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Author : Cecil Gray
language : en
Publisher:
Release Date : 1947

A Survey Of Contemporary Music written by Cecil Gray and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1947 with Composers categories.




Modern Music


Modern Music
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Author :
language : en
Publisher:
Release Date : 1924

Modern Music written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1924 with Music categories.




Collaborative And Distributed Processes In Contemporary Music Making


Collaborative And Distributed Processes In Contemporary Music Making
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Author : Richard Glover
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2020-04-09

Collaborative And Distributed Processes In Contemporary Music Making written by Richard Glover and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-04-09 with Music categories.


This volume represents the second proceedings of the Royal Musical Association’s (RMA) Music and/as Process Study Group. It is not surprising that a large number of the contributors to the Music and/as Process Study Group are active practitioners in the performance and composition of contemporary music. The collaborations documented here represent the bringing together of disciplines, joint work between practitioners who contribute their own specific areas of expertise to a composite creative activity, and work that crosses disciplines in order to make a critical comment in each of them. In this collection, these three types of collaborative work describe an increasing amount of contemporary music practice. In addition to the increasing involvement of practice in research, the understanding and prevalence of practice methodologies in the form of practice research has also increased in musicology. This volume reflects these concerns through contributions from authors who are all active practitioners in their respective fields of music performance, composition, improvisation, and conducting. The diversity of these contributions shows the variety of processes and practices that are currently being undertaken by proponents of the field of contemporary music. These essays provide a snapshot of the current collaborative and distributed processes that are employed by today’s contemporary music practitioners. The chapters contained in this volume reveal the varied nature of the approaches to creativity in music making, and the ways that these are distributed across its practitioners during each stage of the development of musical works.



The Contemporary Review


The Contemporary Review
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Author :
language : en
Publisher:
Release Date : 1895

The Contemporary Review written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1895 with Great Britain categories.




Focus Music In Contemporary Japan


Focus Music In Contemporary Japan
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Author : Jennifer Matsue
language : en
Publisher: Routledge
Release Date : 2015-07-16

Focus Music In Contemporary Japan written by Jennifer Matsue and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-16 with Music categories.


Focus: Music in Contemporary Japan explores a diversity of musics performed in Japan today, ranging from folk song to classical music, the songs of geisha to the screaming of underground rock, with a specific look at the increasingly popular world of taiko (ensemble drumming). Discussion of contemporary musical practice is situated within broader frames of musical and sociopolitical history, processes of globalization and cosmopolitanism, and the continued search for Japanese identity through artistic expression. It explores how the Japanese have long negotiated cultural identity through musical practice in three parts: Part I, "Japanese Music and Culture," provides an overview of the key characteristics of Japanese culture that inform musical performance, such as the attitude towards the natural environment, changes in ruling powers, dominant religious forms, and historical processes of cultural exchange. Part II, "Sounding Japan," describes the elements that distinguish traditional Japanese music and then explores how music has changed in the modern era under the influence of Western music and ideology. Part III, "Focusing In: Identity, Meaning and Japanese Drumming in Kyoto," is based on fieldwork with musicians and explores the position of Japanese drumming within Kyoto. It focuses on four case studies that paint a vivid picture of each respective site, the music that is practiced, and the pedagogy and creative processes of each group. The downloadable resources include examples of Japanese music that illustrate specific elements and key genres introduced in the text. A companion website includes additional audio-visual sources discussed in detail in the text. Jennifer Milioto Matsue is an Associate Professor at Union College and specializes in modern Japanese music and culture.



Modern Music And After


Modern Music And After
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Author : Paul Griffiths
language : en
Publisher: Oxford University Press
Release Date : 2011-02-16

Modern Music And After written by Paul Griffiths and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-02-16 with Music categories.


Over three decades, Paul Griffiths's survey has remained the definitive study of music since the Second World War; this fully revised and updated edition re-establishes Modern Music and After as the preeminent introduction to the music of our time. The disruptions of the war, and the struggles of the ensuing peace, were reflected in the music of the time: in Pierre Boulez's radical reformation of compositional technique and in John Cage's development of zen music; in Milton Babbitt's settling of the serial system and in Dmitry Shostakovich's unsettling symphonies; in Karlheinz Stockhausen's development of electronic music and in Luigi Nono's pursuit of the universally human, in Iannis Xenakis's view of music as sounding mathematics and in Luciano Berio's consideration of it as language. The initiatives of these composers and their contemporaries opened prospects that haven't yet stopped unfolding. This constant expansion of musical thinking since 1945 has left us with no singular history of music; Griffiths's study accordingly follows several different paths, showing how and why they converge and diverge. This new edition of Modern Music and After discusses not only the music of the fifteen years that have passed since the previous edition, but also the recent explosion of scholarly interest in the latter half of the twentieth century. In particular, the book has been expanded to incorporate the variety of responses to the modernist impasse experienced by composers of the 1980s and 1990s. Griffiths then moves the book into the twenty-first century as he examines such highly influential composers as Helmut Lachenmann and Salvatore Sciarrino. For its breadth, wealth of detail, and characteristic wit and clarity, the third edition of Modern Music and After is required reading for the student and the enquiring listener.