Art In Cinema
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Global Art Cinema
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Author : Rosalind Galt
language : en
Publisher: Oxford University Press
Release Date : 2010-04-14
Global Art Cinema written by Rosalind Galt and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-04-14 with Performing Arts categories.
"Art cinema" has for over fifty years defined how audiences and critics imagine film outside Hollywood, but surprisingly little scholarly attention has been paid to the concept since the 1970s. And yet in the last thirty years art cinema has flourished worldwide. The emergence of East Asian and Latin American new waves, the reinvigoration of European film, the success of Iranian directors, and the rise of the film festival have transformed the landscape of world cinema. This book brings into focus art cinema's core internationalism, demonstrating its centrality to understanding film as a global phenomenon. The book reassesses the field of art cinema in light of recent scholarship on world film cultures. In addition to analysis of key regions and films, the essays cover topics including theories of the film image; industrial, aesthetic, and political histories; and art film's intersections with debates on genre, sexuality, new media forms, and postcolonial cultures. Global Art Cinema brings together a diverse group of scholars in a timely conversation that reaffirms the category of art cinema as relevant, provocative, and, in fact, fundamental to contemporary film studies.
Positioning Art Cinema
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Author : Geoff King
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-01-24
Positioning Art Cinema written by Geoff King and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-24 with Performing Arts categories.
Art cinema occupies a space in the film landscape that is accorded a particular kind of value. From films that claim the status of harsh realism to others which embody aspects of the tradition of modernism or the poetic, art cinema encompasses a variety of work from across the globe. But how is art cinema positioned in the film marketplace, or by critics and in academic analysis? Exactly what kinds of cultural value are attributed to films of this type and how can this be explained? This book offers a unique analysis of how such processes work, including the broader cultural basis of the appeal of art cinema to particular audiences. Geoff King argues that there is no single definition of art cinema, but a number of distinct and recurrent tendencies are identified. At one end of the spectrum are films accorded the most 'heavyweight' status, offering the greatest challenges to viewers. Others mix aspects of art cinema with more accessible dimensions such as uses of popular genre frameworks and 'exploitation' elements involving explicit sex and violence. Including case studies of key figures such as Michael Haneke, Pedro Almodóvar and Jean-Pierre and Luc Dardenne, this is a crucial contribution to understanding both art cinema itself and the discourses through which its value is established.
Theorizing Art Cinemas
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Author : David Andrews
language : en
Publisher: University of Texas Press
Release Date : 2013-11-15
Theorizing Art Cinemas written by David Andrews and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-11-15 with Performing Arts categories.
The term “art cinema” has been applied to many cinematic projects, including the film d’art movement, the postwar avant-gardes, various Asian new waves, the New Hollywood, and American indie films, but until now no one has actually defined what “art cinema” is. Turning the traditional, highbrow notion of art cinema on its head, Theorizing Art Cinemas takes a flexible, inclusive approach that views art cinema as a predictable way of valuing movies as “art” movies—an activity that has occurred across film history and across film subcultures—rather than as a traditional genre in the sense of a distinct set of forms or a closed historical period or movement. David Andrews opens with a history of the art cinema “super-genre” from the early days of silent movies to the postwar European invasion that brought Italian Neorealism, the French New Wave, and the New German Cinema to the forefront and led to the development of auteur theory. He then discusses the mechanics of art cinema, from art houses, film festivals, and the academic discipline of film studies, to the audiences and distribution systems for art cinema as a whole. This wide-ranging approach allows Andrews to develop a theory that encompasses both the high and low ends of art cinema in all of its different aspects, including world cinema, avant-garde films, experimental films, and cult cinema. All of these art cinemas, according to Andrews, share an emphasis on quality, authorship, and anticommercialism, whether the film in question is film festival favorite or a midnight movie.
Art In Cinema
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Author : Art in Cinema Society
language : en
Publisher:
Release Date : 1968
Art In Cinema written by Art in Cinema Society and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Performing Arts categories.
Melodrama Masculinity And International Art Cinema
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Author : Alistair Fox
language : en
Publisher: Anthem Press
Release Date : 2022-10-04
Melodrama Masculinity And International Art Cinema written by Alistair Fox and has been published by Anthem Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-04 with Art categories.
This book presents a series of essays that reassess the role of melodrama in a number of touchstone films in the art-cinema tradition that explore the subjective experience of a central male protagonist, announcing the emergence of a genre that has progressively proliferated in contemporary cinema. Case studies by such notable auteurs as Vittorio De Sica, Satyajit Ray, Vincente Minnelli, Pier Paolo Pasolini, Ingmar Bergman, François Truffaut, Jacques Demy, Rainer Werner Fassbinder, and Luca Guadagnino demonstrate how the art-house male melodrama offers a vision of masculinity that is sexually fluid, fragmented, unstable, and often incapacitated to the point of paralysis, rather than the heroic stereotypes commonly found in popular genre cinema.
Art In Cinema
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Author : Art in Cinema Society
language : en
Publisher: San Francisco: Art in Cinema Society: San Francisco Museum of Art
Release Date : 1947
Art In Cinema written by Art in Cinema Society and has been published by San Francisco: Art in Cinema Society: San Francisco Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 1947 with Experimental films categories.
A description of a film series presented at the San Francisco Museum of Art through the medium of the Art in Cinema Society.
Fields Of View
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Author : A.L. Rees
language : en
Publisher: Bloomsbury Publishing
Release Date : 2020-10-29
Fields Of View written by A.L. Rees and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-29 with Performing Arts categories.
Drawing on film theory, literary modernism, psychology and art history, Fields of View elucidates an expanded network of connections between avant-garde film and wider culture. In this bold and original work, A.L. Rees identifies three key terms - 'field', 'frame' and 'interval' and charts their use by filmmakers and theorists such as Dziga Vertov, Sergei Eisenstein, Bruce Baillie, Maya Deren, Malcolm Le Grice and Werner Nekes, from the 1920s through to the present day. A seminal voice in film culture, Rees left the incomplete manuscript for this book on his death, and Simon Payne has subsequently carefully prepared the book for publication. Fields of View is an important work that establishes a unique perspective on experimental film.
Beyond The Subtitle
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Author : Mark Betz
language : en
Publisher: U of Minnesota Press
Release Date : 2009
Beyond The Subtitle written by Mark Betz and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Performing Arts categories.
Examining European art films of the 1950s and 1960s, Mark Betz argues that it istime for film analysis to move beyond prevailing New Wave historiography, mired in outdated notions of nationalism and dragged down by decades of auteurist criticism. Focusing on the cinemas of France and Italy, Betz reveals how the flowering of European art films in the postwar era is inseparable from the complex historical and political frameworks of the time.
Exhibiting Cinema In Contemporary Art
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Author : Erika Balsom
language : en
Publisher:
Release Date : 2013
Exhibiting Cinema In Contemporary Art written by Erika Balsom and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with ART categories.
Whether it involves remaking an old Hollywood movie, projecting a quiet 16mm film, or constructing a bombastic multi-screen environment, cinema now takes place not just in the movie theatre and the home, but also in the art gallery and the museum. The author of this engaging study takes stock of this development, offering an in-depth inquiry into its genesis, its defining features, and the ramifications it has for art and cinema alike. Through the lens of contemporary art history, she examines cinema studies' great disciplinary obsession - namely, what cinema was, is, and will become in a digital future.
Screening Modernism
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Author : András Bálint Kovács
language : en
Publisher: University of Chicago Press
Release Date : 2008-09-15
Screening Modernism written by András Bálint Kovács and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-09-15 with Performing Arts categories.
Casting fresh light on the renowned productions of auteurs like Antonioni, Fellini, and Bresson and drawing out from the shadows a range of important but lesser-known works, Screening Modernism is the first comprehensive study of European art cinema’s postwar heyday. Spanning from the 1950s to the 1970s, András Bálint Kovács’s encyclopedic work argues that cinematic modernism was not a unified movement with a handful of styles and themes but rather a stunning range of variations on the core principles of modern art. Illustrating how the concepts of modernism and the avant-garde variously manifest themselves in film, Kovács begins by tracing the emergence of art cinema as a historical category. He then explains the main formal characteristics of modern styles and forms as well as their intellectual foundation. Finally, drawing on modernist theory and philosophy along the way, he provides an innovative history of the evolution of modern European art cinema. Exploring not only modernism’s origins but also its stylistic, thematic, and cultural avatars, Screening Modernism ultimately lays out creative new ways to think about the historical periods that comprise this golden age of film.